Wednesday, June 17, 2015
There is something about miniatures that inspire awe, interest and curiosity. who doesn't love to see a shrunken version of familiar places, people and objects. I am fortunate to have a really talented person helping me out in the studio who happens to be a gifted artist himself. His specialty and obsession is making miniature versions of streetscapes, buildings and iconic or emblematic scenes that instantly evoke a sense of place. I thought it would be fun to commission him to do a version of my chicken coop studio. I had no idea what he would come back with and was stunned and overjoyed at the result. It truly is a "mini-me" of my beloved workspace..clay dust, objects, chaos and all.. I want to share some images of his creation along side of images of the real thing- every detail! the magazines, bags of clay, the ceramic tiled floor! he made each thing completely from scratch and scrounged materials..just brilliant!
If anyone is interested in a commissioned pieces from Malcolm Kenter - get in touch with him here: firstname.lastname@example.org
I will be bringing this to @NYNOW where I will be exhibiting in handmade/designer maker in august: booth 9416
Thursday, January 22, 2015
I was thrilled to be featured in the My Space column in the Dec/Jan 2015 issue of House Beautiful. Not only do I still love and appreciate printed magazines and cherish the ability to tear out images, it is also a lovely way to connect with the public and I love letting people into my world here a little bit.
Often times the things we purchase and collect are made by people we never see or get to know in any way. The days of walking into the village and interacting with the crafts people making your utilitarian and decorative items has withered, though there is a resurgence of small shops showcasing local work--I like visiting those places when I travel and surely appreciate learning about what is being crafted where I am.
As a maker/crafter myself, I enjoy being represented not only here in San Francisco, but all over the country in small shops and larger ones where people can interact with the tableware.
It is also why I love to make the work I do for places like the DeYoung Museum here in San Francisco and Silver Oak Vineyards up in Napa-- the feedback I get from those places is how people come in and collect pieces as a way of reminding them of their time and experiences there. I can totally relate as I do the same thing when I travel- it can be a local artist's work or an interestingly shaped twig or stone that I will cherish as a memento.
some of my collections at home..
Working mostly solo here at the studio I don't often get to see firsthand people interacting with my work so am always grateful when folks reach out and tell me about it. Recently I have had some particularly touching experiences with users of my work. One is from the most lovely family who recently suffered a tremendous loss. They were housebound for a long time caring for an ill child who finally succumbed to his illness this year. She had ordered plates during this time of convalescence as a way of cheering up the house a bit and enhancing meal time. The imagery of the plates and the meaning they had for her was "healing" she told me and truly lifted their spirits. While we often think of 'things' as materialistic or not necessary, we forget that objects can act as talismans and vessels of spirit and an outlet for emotions. Religious art has played that role forever as well as folk art's place in many cultures. It can be rustic, it can be crude- but if it conveys something to your soul and helps, that is what's important. So hearing about the healing properties of the plates was special to me indeed.
People will often pick up a plate, examine the images and tell me what it is, what they see and perhaps what it means to them personally. That is always fascinating to me as two people will look at the same plate and see completely different things and take away, something totally separate and unique.
In addition, having worked with some restaurants to make their plates has elevated this process to a level of true integration of experiential opportunities. The other contacts I have been having lately are from several folks who used to frequent Station 1 restaurant in Woodside, where I made all of the tableware. It was such a special place that Zu and Kristi put together and it was a sad day when they had to close due to lease issues. A lot of people celebrated important occasions there and have contacted me to commission a set of plates to remind them of their time spent there..and eating on the tableware was a big part of it. One particular comment I loved was from a young woman who loved bringing out of town visitors there and spoke of how excited they were to "see which of the pieces we'd been 'dealt' with our meal"-- I love that.. She is getting married and is interested in having this experience to offer in her own home.
It is with great joy that I get to do what I do. I am very fortunate to satisfy my own creative urges while feeding someone else's. This is a new year now full of opportunity to create more, observe more and record what I see in clay. It heals me and I like that it does so for others as well.
Friday, January 16, 2015
wow. I realized that it has been a long time since I posted here on the blog. Certainly a by-product of being busy and also the natural gravitation towards other forms of communication on social media that are so efficient, like Instagram. Instagram is just fun and so manageable and I love scrolling through and seeing the images people post. It's such a lovely way to take a small break in the day and enter into someone else's mind, work, world and I have to admit, I have been favoring that quickness.
That said, I still also enjoy reading people's blogs and getting a bit more in depth idea of what they are up to.
2014 was a busy year and I was happy to delve deeper into my work and continue being inspired by so many things that influenced my designs.
Here are some of the new things that emerged:
madras-having fun with textures and patterns based on classic textiles and mixing these with other pieces
chinoiserie in other color ways- playing around with new combinations that presents the chinoiserie in surprising ways-look out for more this year
all black all white for more subtle interpretation of imbedded objects-
This year will hopefully bring a thorough clean out of the studio-more work in raku, an installation project and some good travel plans on the horizon-always key for new inspiration and continued exploration into telling stories on clay..
and of course beach time with porter watching birds congregate and collecting detritus, hanging with kiki and looking out for hawks and the parrots swooping into the backyard..
happiest of new years.. and if you too are an instagram fan- you can keep regular tabs on my work @lisaneimethceramics and also on Facebook..
Sunday, August 31, 2014
wow. august 31st. it has been a busy summer. kids moving in and out of their own life experiences that will carry over into their older selves as sweet important memories.
me, continuing to bond with my dog and getting some sweet time myself to be in some of my favorite places.
and putting energy into my work with some interesting photo shoots- some just for me, some for publication in magazines and newspapers.
|San Francisco Chronicle 8.31.14|
|San Francisco Chronicle 8.31.14|
but having fun exploring contexts and textures and color, putting unexpected concepts together and fantasizing about spending more time in new mexico and creating the summer studio there (maybe maybe next year???)
|ocean beach fantasy come true thanks to joseph smooke|
|the deck is the first step towards the studio on the land|
|some collected treasures from abiquiu, new mexico|
much to get done now..new shops, more for old shops, fun projects for individuals wanting a highly personal set of still life plates for homes to inspire..
I don't get to post here as often as I would like..so in the meantime follow me on instagram @lisaneimethceramics for regular snippets and images and as always, get in touch if you want to come by the studio here in San francisco.
more soon..or as SF Giants broadcaster Mike Krukow likes to say.."in a bit!"
Thursday, June 12, 2014
I love to drink wine. It is my complete beverage of choice and brings me much pleasure. It is a social experience and it is a solitary meditative experience. It enhances food, mood and if not too indulgent, just really relaxes you at the end of the day.
I am so fortunate to live so near to many amazing wine regions here in California. I do not get to visit them nearly as much as I would like to, but do get to visit vicariously through my work.
I love bringing my work together with food and wine and the utilitarian relationship they all share-
as well as creating mementos for folks to take home with them that will always remind them of the pleasure and retreat they experience when visiting these amazing places.
Over the past few years I have had the pleasure of creating what I call "high end curios" for the Silver Oak tasting room in Oakville, in the Napa Valley. These are one of a kind pieces using found and vintage objects with hand etched details--all with a wine region theme. These were just delivered:
This year I was asked to create platters riffing off the blue/white rustic chinoiserie line- for the retail shop at Auction Napa Valley 2014. It was great fun creating nearly 80 one of a kind pieces for this event that raised over 18 million dollars for community health care services.
And I recently shipped off pieces to the new LaFond Winery tasting room in Santa Barbara. They just opened a beautiful "in-town" tasting room showcasing their incredible wines as well as curated artisan pieces.
It is the enduring value of a curio when traveling. I always make sure to collect something when I am away, either a purchased object or something I find lying on the ground. This collection of things remains a big inspiration to me when conjuring up designs. It is the coming together of differing shapes, notions and elements of a culture- natural and ethnographic. Much of ancient pottery, besides its functional use as water and food vessels, evolved to incorporate more design and aesthetic elements as people began to collect it.It was traded and sold and re-sold. And often became incredibly valuable over time. But more importantly keeps memories alive and helps put perspective on where we have been.